THEOLOGY OF THE TRADITIONAL LATIN MASS #19

“I saw angels come to His assistance, otherwise He would have been unable even to raise it from the ground.”  –  Bl. Anne C. Emmerich

In the Memento, Domine, the Church’s public prayer is explicitly for all of the faithful, all those of the household of the faith whose “faith and devotion are known” to God.  Being faithful and devoted means to willingly pick up one’s cross and follow our Savior.  For most, this simply amounts to the fulfillment of daily duty accomplished with a cheerful heart, embracing even its hardships and sorrows.

Suffering is naturally repulsive to human nature, but we need not fear since God’s angels are always ready to assist us.  God never asks what cannot be accomplished.  Gihr tells us that, “sentiments of faith and devotion are awakened and nourished in proportion to the lively interest taken in the celebration at the altar.”

The priest prays “tibique reddunt vota sua” for those paying their vows to the eternal God.  At Baptism the faithful solemnly vowed to renounce sin, to die to the world, and to live solely for God.  At the Holy Sacrifice of the Mass, the faithful “pay” these vows to the degree that they unite with the priest in offering not only the Eucharistic Victim, but in union with Him, they offer themselves in body and soul along with all labors, trials, sufferings, joys. The more perfect the offering of self, the more disposed one will be to receive of the treasury of Graces from the Mass – bountiful gifts, both temporal and spiritual.

Prayer:  “Lord Jesus Christ, who for me didst bear on Thy own shoulders, Thy cross; make me ardently embrace the cross of mortification through dying to self, and for Thy love, to bear it daily after Thee.  Amen.”

The Mass is most efficacious for those who are connected to the Sacrifice.  Therefore, it behooves us to be magnanimous of heart, and to, at this moment, make supplication for all living family members, those whom we love, those who are in need of prayers, those who have recommended themselves to our prayers; yes, even those who have offended us.

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As can be seen, the TLM already has a place for intercessory prayer in the Memento Domine. There is no need for “bidding prayers”.  The “Prayers of the Faithful” that are formulated into the N.O., is  an idea borrowed from Protestants.  The “petitions” are often no more than expressed agendas, rambling sentimentality, opinions and politics masquerading as prayers to God. 

Furthermore, the Memento for the Living in the N.O. is deficient and inferior to that of the TLM.  In the TLM, the petition “pro spe salutis et incolumnitatis sua” – “the hope of their salvation and safety”, expresses the desire for an eternal and supernatural good, as well as temporal blessings.  Gihr states that in the word “salus”, all spiritual and supernatural gifts are comprised, while the word “incolumitas”, designates temporal blessings of the natural order which include health and success in undertakings  – if they are not a hindrance to our salvation.

In the N.O., the line (“pro spe salutis et incolumnitatis sua”) is translated as “hope of health and well-being”, thus requesting of God only a natural good.  

Also, in the N.O., the expression “paying homage” is used instead of “pay vows”.  To pay homage to God is not the same thing as to pay Him our vows.   

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What’s Its Name?

Who is Michael C. Fortune, and why bring him up?

Well, I want to quote him; but in order for you to believe what he says, I must establish his credentials as being a trustworthy, knowledgeable and credible authority in the area of his expertise.

Google his name, and several of the top entries pertain to the man. He is an acclaimed  “designer/maker, teacher and mentor…one of Canada’s most respected and creative contemporary furniture masters. “

…his work has brought him an international clientele and reputation. He is acknowledged for both his technical and design expertise, giving lectures and workshops across Canada and the United States. His work has appeared in numerous exhibitions worldwide. In 1993 Fortune received the prestigious Prix Saidye Bronfman, Canada’s highest award in the crafts…He has taught at many schools and craft centers including; Sheridan College School of Crafts and Design, Ryerson Polytechnical Institute, the Rochester Institute of Technology NY, Worcester Center for Crafts in Massachusetts, Anderson Arts Center, Colorado, Savannah College of Art and Design and the Marc Adams School in Indiana where the fellowship program for advanced students has been named in his honor…

Advanced Student

This is where I am leading you. It is precisely about one such former student of his to whom Fortune refers in a glowing letter of recommendation, a portion of which I will  quote.  (In my previous post, I mentioned that this “Advanced Student” is starting his own business in order to accommodate the growing need for beautiful church furnishings in the classical style.)

Here is what Michael Fortune has to say about this young entrepreneur, “I had the delightful opportunity to have [Name] participate in my studio as an intern for a month in the Spring of 2006.  [Name] had previously taken several classes with me at the Marc Adams School of of Woodworking in Indiana.  I extend this invitation only to those individuals who show exceptional promise as designer/craftspeople…..I am honored to consider [Name] a friend and colleague.”

That recommendation was from 6 years ago. Today [Name] is a certified Master craftsman with 10 years of experience in all phases of the making and installation of liturgical furnishings.

Yes! Forward With Tradition!

The winner will receive a wooden keepsake box similiar to this one.

Careful planning and paper work has already been done. The next phase is a company name.  (Publicity through Trad-friendly venues and a business website will follow.)   Anyone reading this blog is welcomed, and encouraged to submit ideas for the business name.  The winner will be rewarded with a very nice keepsake box, plus the satisfaction of seeing your winning suggestion appear in trad-friendly publications.

Just send in your suggestions into the com box.   The winner will be announced in no more than a week or two, so hurry.  “Advanced Student” and company are anxious to proceed!

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LOOK FOR IT. Coming Soon….

April: Check out their webpage by clicking on the company name for photos of the completed  job. Another contract with the school is presently being discussed.

One of commissioned pieces for the La Salette Academy

Update November 3, 2012:  Altare Design is up and running, with work now in progress for the chapel of Notre Dame de La Salette Academy, the school of the SSPX. 

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..a new business venture by traditional-minded young Catholics, here in the Midwest, with the training and expertise to succeed in the re-emerging field of classical, Catholic church furniture design and execution, but on the smaller scale.

Why now?

Because

A Catholic tradition is back on the rails

Posted by Paddy MacLachlan

communion rail for Chenoa IL church

Reports from the US tell of a growing trend for the return of altar rails. Church architect Duncan Stroik, who specializes in classical designs and has over 20 completed projects in his portfolio, says more and more clients are making a point of specifying rails in their discussions with him.

Proponents say that the rails encourage kneeling and reverence in adoration and Communion, especially when the extraordinary Mass is celebrated.  Others say that they clearly demarcate the sanctuary of the church, symbolizing the exact point where the heavenly meets the earthly.

Rails first started to disappear from churches after Vatican II, when there was a general move towards more democracy and inclusiveness.  That seems to be a tide that is turning.

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So, I present to readers, this little “elevator speech” by the young man delving into the business.  I can assure you that he is more than qualified and is already a certified Master furniture maker with a decade of experience in the production of liturgical furnishings.

“The growing number of tradition-minded communities is resulting in a rapidly increasing demand for products and services for which there is no dedicated supply. For large scale renovations there are architects that can guide clients in this matter. However, an intensive search through the internet failed to bring up any companies that can offer expertise and guidance in traditional furnishings for those who wish to build or restore their sanctuaries on a smaller scale. Perhaps they wish to rebuild slowly or perhaps they only need the communion rail to complete their sanctuary. This is where we come in. We offer an understanding of orthodox Catholic theology, the role of the arts in promoting Catholic culture and also the expertise and experience of master craftsmen.”

Presently, he is seeking a name for the new business.  In a subsequent post, I will provide the details of how you may enter the contest to propose a company name.  The selected winner will receive one of his finely-made keepsake boxes, a picture of which I will also be posting.

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HERE’S THE FULL SCOOP ON THE MONASTERY RENOVATIONS

Update, Feb. 5, 2013: Hey, Hey! More Pictures are Coming In

Update, Jan. 28, See photos by clicking here.

1-23-13  update:  The work, obviously has fallen behind schedule and was not completed as the Sisters had hoped, by autumn.   The date for the dedication of the newly renovated chapel has been set for Feb. 3.

The following was sent in to our comment box, but it deserves a post of its own.  Thank you so much, Michael N. !

He wrote: “Here’s the story about Duncan Stroik’s project at the Carmelite Monastery in Traverse City.”

TRAVERSE CITY, MI – Duncan G. Stroik is one of the foremost church architects in the English-speaking world, the acknowledged leader of a growing movement to return classical ideas of beauty and harmony to sacred architecture.

His recent commissions have included the 2008 Shrine of Our Lady of Guadalupe in La Crosse, WI, the 2009 Chapel of St. Thomas Aquinas College in Santa Paula, CA and the renovation of St. Joseph Cathedral in Sioux Falls, SD. A professor of architecture at the University of Notre Dame, he authored the book Reconquering Sacred Space and is editor of the professional journal Sacred Architecture.

But his latest project is a tiny chapel for a small community of cloistered Carmelite nuns who live, work and pray at the Monastery of the Infant Jesus of Prague, in the northern Michigan resort town of Traverse City. Although the chapel is also open to visitors for daily Masses and prayer — and has a loyal following among local residents — it is central to the life of the monastic community.

“The beautification of the monastery chapel is exactly the type of project that we love to do,” said Stroik. “The sisters have a great love of beauty, of the liturgy and of tradition, and want to do something worthy of Christ. I love that the project is in Traverse City because it gives me a great excuse to travel up there. The fascinating part of the project is the sisters’ desire that the sanctuary be designed to be beautiful and inspiring from the nave as well as from their cloister chapel.”

Stroik is very interested in working with a Carmelite community for the first time, particularly because the project involves the renovation of an existing sanctuary. He believes that sanctuary renovations may be one of the most important parts of the new renaissance in sacred architecture. Much of his recent work has been in renovating uninspired churches by incorporating traditional standards of dignity and beauty that had been jettisoned by modernist architects.

“What I see today is a greater appreciation for a timeless sense of architecture and art,” he said. “We have built a lot over the past four decades, and one of the best things and most economical things to do is to respond to the renewal of liturgical theology through renovation of our churches.”

The monastery, located on 60 acres of wooded land on Silver Lake Road, was built in the 1960s in the utilitarian style typical of the time. After years of prayer and thought, the nuns decided it was time to renovate the chapel sanctuary to create “an atmosphere of sacred beauty and transcendence,” reflecting their order’s tradition that every experience of beauty is an experience of God.

That sentiment dovetails perfectly with Duncan Stroik’s philosophy. As it happens, the architect was already familiar with the Traverse City area, and a priest who was visiting the monastery – Fr. Peter Stravinskas — put the sisters in touch with him.

“When I asked Fr. Peter if he knew any good church design consultants, he said, ‘I know just the man. Duncan Stroik. He’s fixed a lot of messes,’” recalled Mother Mary. “Next thing we knew, we received word from Mr. Stroik that he would be honored to do it, and so he became our architect. Only after his portfolio arrived and we recognized the St. Thomas chapel did we realize who he was!”

Not that their current chapel is ugly, the nuns are quick to assert.

“It has some very beautiful elements, but we thought it would be difficult if not impossible to give it a more traditional and transcendent look due to its structure and small size,” said Sister Perpetua Marie, the sub-prioress of the community. “When we saw pictures of some of Mr. Stroik’s renovations, suddenly new horizons opened up to us, and I became very excited.”

Stroik’s plan for the chapel begins by elevating the sanctuary altar, installing a new altar railing, marble flooring, classical architectural ornamentation that conceals the dated structural elements, new shrines to the Infant Jesus of Prague and several Carmelite saints and improved iconography with Biblical inscriptions. There will be a tabernacle prominently placed on a rear altar, reminiscent of the high altars found in European monastic churches. Visually, the sanctuary will present a unified whole, with the Eucharistic Jesus at the center, surrounded by His saints.

The architect’s initial design called for more marble, but the nuns requested wood for the columns and altar rail to give the sanctuary a Spanish aesthetic – and to aid Michigan’s economy by using local labor and materials. Even the marble dealer chosen for the project lives in Detroit.

Stroik believes that “a talented architect can find a way to create a work of art within a limited budget, mainly through an efficient though elegant design, the judicious use of fine materials, and the appropriate use of architectural detail.” The nuns have been saving toward this project for years, but are also soliciting donations from friends and supporters to bring it to completion.

“Obedience to, and love for the Church is at the core of who we are as Carmelites,” said Mother Mary. “We want to gladly receive from the Church a living tradition and then to hand it on to others by example.”

Bishop Bernard Hebda of the Diocese of Gaylord, who often visits the monastery when he’s in Traverse City – and who made it one of his first stops when he was first made bishop in 2010 — is an enthusiastic supporter of the project.

“My deepest hope is that these sisters may soon offer their praise and prayers in a setting that reflects the best of Catholic theology and the deep reverence and beauty of their personal faith,” he wrote. “At a moment when Pope Benedict has invited the Church in the English-speaking world to renew its appreciation for the Mass, and as we actively embrace a new Roman Missal which restores some of the richness of our traditions, the timing is perfect for construction of a new sanctuary within the Carmelite monastery chapel.”

The sisters at the monastery are returning the favor, donating a life-size crucifix that has hung in their sanctuary for the past 50 years to St. Mary’s Cathedral in Gaylord. The cross was made from a single redwood tree, and the image of Christ upon it was crafted in northern Italy. It is an enlarged reproduction of a treasured crucifix that the nuns keep inside their cloister and is venerated by each new sister on the day she enters the monastery and bids farewell to the world.

The project is scheduled to get under way this spring, and the nuns are hoping it will be finished by fall. The Carmelite Order, which stresses simplicity, contemplation and prayer, was founded in the 11th century on the slopes of Mt. Carmel, in what is now Israel, and spread rapidly through Europe during the Middle Ages. In the 16th century it was reformed by two of the Catholic Church’s most noted mystical writers, St. Teresa of Avila and St. John of the Cross. Today there are thousands of Carmelite sisters and brothers in 960 monasteries around the world, including three other Michigan communities in Iron Mountain, near Detroit and outside Grand Rapids.

The Traverse City monastery traces its origins to a Mexican nun’s desperate prayer when she faced a firing squad during a wave of anti-Catholic persecution in 1914. Mother Mary Elias miraculously escaped death, and went on to bring her community safely to Grand Rapids. Mother Teresa Margaret, who founded the Traverse City monastery in 1950, is the only nun still alive today who made her novitiate under Mother Elias’ direction. She celebrated her 100th birthday at the monastery in September 2011.

As members of a cloistered, contemplative order, Carmelite sisters spend their days in private and liturgical prayer, spiritual reading, and domestic tasks such as baking Communions wafers. They don’t leave the monastery except for rare occasions such as doctor appointments. Even during Masses they remain within an enclosed choir area, separated from the public area of the chapel by a metal grille – which means they will only be able to see a part of the renovation work that Stroik is performing on their behalf.

Nevertheless, Mother Mary expects it to have a positive impact on their devotional lives.
“With the renovation we will all be able to see the crucifix, a traditional tabernacle, and a new Latin inscription from Hosea: I will lead her into the desert and speak to her heart,” she said. “If we can afford it, there will also be a painting of Our Lady of Mt. Carmel with the Saints of the Carmelite Order on the back wall. We will still be in our concrete block “box” but now it will have a window into Heaven—and isn’t that what every church building should be?”

The Monastery of the Infant Jesus of Prague is located at 3501 Silver Lake Road in Traverse City.  […] Mass is celebrated at 7:30am on Sunday, Saturday and Holy days, and at 6:55am Monday through Friday. For more information about the renovation project, contact chapelrenovation@charter.net

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ANOTHER UPCOMING TLM WITH CANON UEDA

Yes! It’s official!  Father Ueda is coming down to be with us once more to celebrate the TLM.  I believe it will be the first one there in 40+ years!

“Where?”

“Follow the horse, and he will show you!”

Source for the original article on this church: link

Piper City is a small town, and like so many down here, St. Peter’s is one of [two] rural parishes served by a single priest. The parishioners gather in the social hall before Mass, where the pastor does the introductory gospel reading and blesses and distributes the palms. Outside, a parishioner on horseback — dressed up in a purple cloak for the occasion — leads everyone solemnly down the street to the church. (After everyone goes in for Mass, he hurriedly puts his horse in the trailer and takes off the cloak before joining us. There’s no hitching post outside the church.)
This is the front of the procession, as it turned the corner to come to the church building…

Earlier this year, [This story is a few years old.] the church reopened after extensive repairs from a fire caused by a lightning strike. The damage was mostly contained in the rear of the building; this church has among the most beautiful stained glass windows we’ve ever seen, and fortunately they all survived. A couple of them are visible in the photo to the right; someday I’ll post pictures of the other windows. Note that there is only one altar: the old high altar, with the tabernacle still in place. When they reopened the church, they decided not to put the freestanding altar back in; the priest now says Mass “facing east,” with the congregation. He’d been using that posture out of necessity for the many months when Mass was celebrated in the social hall (while repairs were being undertaken). Everyone grew to like and appreciate it, so they’ve kept it that way back in the church building.

Speaking for myself, I think it adds a real richness to the liturgy; it emphasizes the sacrificial nature of the Mass in a way that isn’t always clear when the priest is facing the people.

This place is a real gem.

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We will be posting more details soon.

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THEOLOGY OF THE TRADITIONAL LATIN MASS #18

The accomplishment of the Sacrifice is about to begin with the Preface. The silence is broken with the second “word” when the priest asks the faithful to lift up their hearts. However, even though he is calling upon the faithful, notice that he does not turn to face them as he did with the Orate Fratres.

Gihr teaches that as did Moses when he climbed Mt. Sinai to be face to face with God, so does the priest when he focuses entirely on the altar of Sacrifice where, as it were, he will find himself face to face with our Divine Savior. The faithful will only see the face of the priest after his Communion when he descends from the “Mountain” to bring Divinity Incarnate to the people.

The priest calls upon us to put all worldly distraction aside and to focus entirely on Our Lord’s coming at the Consecration.  We should be keenly aware that the assistance of grace is necessary to raise our minds and hearts solely to God, for without the divine assistance, we poor creatures are incapable of putting all worldly distractions aside.Recollection of mind and fervor of devotion are gifts of the Lord,” says  Fr. N. Gihr.

While contemplating our afflicted Savior, we may also see with the eyes of the soul what is imperceptible to the indifferent, the lukewarm, and to the worldly: The heavens open to reveal myriads of celestial beings descending to adore of the King of kings and Lord of lords, now condemned to an ignominious death, and assigned a grave with the wicked!

Prayer: “Lord Jesus Christ, who didst for my sake vouchsafe to receive the sentence of death, even the death of the Cross; make me for Thy love not to fear the sentence of the most cruel death that the wicked judgments of men can pronounce against me, nor ever to judge evil of others. Amen.”

In the Preface we implore God to permit our lowly, human adoration to be made worthy by having our praises joined to that of the celestial militia, all those “angels who praise, Dominations who worship, and Powers who stand in awe.”

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More, is not necessarily better.  Sometimes a particular good gets ‘lost’ or neglected when thrown together with a great number of other similar items. Such was the case with the Preface of the Most Holy Trinity.  This weighty, doctrinally compacted Preface has become ‘lost’, or neglected if you will, amidst the numerous, newly created Prefaces for the N.O. missal.  

In 1969, the late Bishop de Castro Mayer had lamented and objected that the Preface of the Most Holy Trinity had ceased to be the Preface for the Lord’s Day, ordinarily used for the “Green” Sundays of the liturgical year. The Preface  used to honor one of the greatest and most impenetrable mysteries of our faith, and to Whom the Holy Sacrifice is offered, was demoted to practical neglect in the New Mass since in that Missal, it is used only for the Feast of the Holy Trinity.  

Certainly, the early Church did not consider that more Prefaces were optimal for the Holy Sacrifice of the Mass.   With time, the number of Prefaces had accrued to the point that it was felt necessary to eliminate a great many.  It is believed that it was St. Gregory the Great (590-604), who according to Gihr, “reduced the immense number to ten”.  Six hundred years passed before an 11th Preface was added!  

The New Missal, as of 2011, had accumulated 82 Prefaces in the 41 years since 1970, whereas for the TLM, the 1962 Roman Catholic Daily Missal lists 15.  Four others are included which may be used where permitted, and if the priest elects to use them.

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A Tribute to Mother Mary Elias, Mexican Carmelite

A small portion of the brief history of the Traverse City foundation of Carmel as written in their flyer publicizing the upcoming renovations:

”Courageous women brought the Carmelite Reform [from Spain] to Mexico in the 1600’s.  Seven U. S. Carmels trace their origin to a Mexican nun’s desperate prayer when she faced a firing squad during religious persecution in 1914.  [apologies for my error in a comment made on Acción Litúrgica where I said “the persecutions of the 1920’s”]

Mother Mary Elias miraculously escaped death, and went on to bring her community safely to Grand Rapids, Michigan. “

There she founded the Carmel of Our Lady of Guadalupe where Mother Mary Elias died in 1943.  In 1950, eight Sisters from that community headed north to start a new foundation, the Carmel of the Infant of Prague in Traverse City.  It’s foundress, Mother Teresa Margaret, “is the only nun still alive today [and still residing at the monastery] who made her novitiate under Mother Elias’ direction.”

The video (from CATOLICIDAD) below, is a tribute to Mother Mary Elias for her manly courage and heroic determination to keep the Faith! For those who do not understand Spanish, the title says it all: “Catholic, Defend your Faith!”

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Letter of Appeal from Bishop Hebda for the Cloistered Carmelites

I recently received a copy of the letter in which the bishop appeals to the generosity of the faithful to help these good Sisters with monetary donations in order to bring their chapel in line with the Holy Father’s more recent emphasis on reverent worship. He writes: “At a moment when our Holy Father Pope Benedict has invited the Church….to renew its appreciation for the Mass,….the timing seems perfect for construction of a new sanctuary…The nuns have proposed a modest, yet elegant, project that will eloquently reflect AUTHENTIC [my emphasis] Catholic liturgy.”

Though the name of the architect commissioned for the renovation is not named in the letter, it is none other than the famed Duncan Stroik.  I do not say “restoration” because, really, there is nothing to “restore”.  The chapel, constructed in 1962, was from its very beginning modern and bare-bones.  The communion rail that used to be in place was what looked to be a very large, 60’ish kneeler.   Please remember these good Sisters in your prayers, and if possible, please send them a donation.

Carmelite Monastery

3501 Silver Lake Road

Traverse City, Michigan  49684-8949

Your charity will rebound a hundred-fold because the prayers of these holy Sisters are most powerful.  I know so!

Here is the chapel now:

With the free-standing altar situated near the edge of the narrow steps, ad orientem worship was impossible. About 10 years ago, the first-ever Tridentine Mass here was celebrated facing the people.

Here is the new chapel as proposed by Stroik:

and another view:

"The project included elevating the altar to symbolize God's holy mountain: Calvary...altar will be rebuilt ad orientem. Plans also include a new altar rail, marble floor..." This is the first time Stroik will have worked with a Carmelite monastery.

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Priests following the lead of Pope

Little by little, we will see the restoration of Holy Communion being given to kneeling communicants, and on the tongue.  It seems that countries in South America are taking the lead. (Then, on to the TLM!)

You can see more here: http://eccepanisangelorum.blogspot.com/2010/01/comunion-de-rodillasen-roma.html

 

 

 

 

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THEOLOGY OF THE TRADITIONAL LATIN MASS #17

“Orate Fratres”, is the first of the seven “words” which the priest will speak clearly and audibly between now and his Communion. This corresponds to the Seven Last Words spoken by our Lord from the cross, as it is primarily during that part of the Mass – between the first “Orate” and the priest’s Communion –  that His Passion will be re-presented.

In addressing us as “brethren”, the priest would have us understand that being one in mind and heart, united as a family in faith, hope and charity, we must unite the sacrifice of our lives to the Sacrifice he is offering to the Most Holy Trinity. The better and more fervent our prayerful dispositions, the more agreeable will be our offering to God.

We may pray for ourselves and for each other: “Lord Jesus Christ, who for love of us, wouldst suffer to be made a spectacle before thy enemies with their cries of ‘Crucify him!’ ‘Crucify him!’, give us grace to flee from vainglory and to even bear mockery and contempt for love of Thee.  Amen.”

 From 1975 until 2011, in the N.O., the distinction between the ordained priesthood and the common priesthood of the laity was blurred in the Orate Fratres when the priest asked, “Pray, my brothers and sisters, that our sacrifice…” By using the word “our”, a false egalitarianism between the priest and the laity was implied. The Sacrifice properly belongs to the priest who alone has the power to mystically slay the Host and offer up the Divine Victim.

As for the laity, the victim that we offer unto God is entirely spiritual; it is ourselves, as the Church has always taught. From the Roman Catholic Daily Missal, 1962 (St. Gregory the Great): “The Mass will be a sacrifice for us to God, when we have made an offering of ourselves.”

The 2011 corrections to the N.O. brought the Orate Fratres in line with the traditional form, including the people’s response. However, one wonders if this correction will have any significant effect in rectifying the mistaken notion of so many Catholics who wrongly believe that priest and laity offer the same Sacrifice.

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